{"id":6719,"date":"2020-01-30T17:41:54","date_gmt":"2020-01-30T16:41:54","guid":{"rendered":"http:\/\/galeriearnaudlefebvrearchives.com\/hessie\/?p=6719"},"modified":"2022-01-08T12:21:39","modified_gmt":"2022-01-08T11:21:39","slug":"2020-galerie-arnaud-lefebvre-paris-hessie-les-trous","status":"publish","type":"post","link":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/2020-galerie-arnaud-lefebvre-paris-hessie-les-trous\/","title":{"rendered":"2020 – Galerie Arnaud Lefebvre, Paris : \u00ab\u00a0Hessie : Les Trous\u00a0\u00bb"},"content":{"rendered":"\n
\"\"
Hessie, Trous X<\/em><\/strong> (No.Inv.032)<\/strong>, 1973 (d\u00e9tail)
Broderie de fil rose sur perforations sur tissu de coton
(Photo Courtesy Galerie Arnaud Lefebvre)<\/figcaption><\/figure><\/div>\n\n\n\n
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\/\/\/ Communiqu\u00e9 de presse<\/strong><\/p>\n\n\n\n

La galerie Arnaud Lefebvre est tr\u00e8s heureuse de pr\u00e9senter l\u2019exposition de Hessie Les Trous<\/em>.<\/p>\n\n\n\n

Appartenant \u00e0 la broderie de Hessie, la s\u00e9rie des Trous<\/em> date du milieu des ann\u00e9es 70. Cet ensemble de pi\u00e8ces est form\u00e9 de perforations dans le tissu de coton, autour desquelles Hessie a brod\u00e9 avec des fils de couleur.
Hessie a utilis\u00e9 cette broderie en n\u00e9gatif pour dessiner des lettres ou des formes g\u00e9om\u00e9triques simples : grilles, cercles ou bandes. Les Lettres form\u00e9es par la succession des \u0153illets de broderie sont de grands V, W et X.
 
La  s\u00e9rie des \u00ab Trous \u00bb est peut-\u00eatre celle o\u00f9 l\u2019\u0153uvre d\u00e9livre un message directement explicite, comme dans Oui\/Non, le droit de vote de la femme<\/a> (No.Inv.210) de Mars 75.
 
On pense aussi au reprisage, ici, d\u00e9tourn\u00e9, pour ne plus \u00eatre combl\u00e9. L’ouverture comme issue de fuite, comme un sabotage souterrain\u2026 la bouche cousue, mais qui reste ouverte dans la discr\u00e9tion. Le sexe f\u00e9minin vient pour moi compl\u00e9ter ce champ, mais pas s\u00fbr qu’il doive le dominer<\/em>. Malcolm Djuric.<\/p>\n\n\n\n

A l’occasion de cette exposition ont \u00e9t\u00e9 restaur\u00e9es quatre \u0153uvres importantes de Trous<\/em> qui seront int\u00e9gr\u00e9es \u00e0 l\u2019inventaire de Hessie.<\/p>\n\n\n\n

En \u00e9cho \u00e0 l\u2019exposition\u00a0Les Trous<\/em>, et en rapport \u00e0 l’engagement f\u00e9ministe de Hessie, a eu lieu \u00e0 la galerie, le vendredi 14 f\u00e9vrier \u00e0 19 heures, une performance de la pi\u00e8ce de Eve Ensler : \u201cLe Monologue du vagin\u201d.<\/a>
Cet \u00e9v\u00e8nement s\u2019int\u00e8gre dans le cadre de la manifestation internationale du V-Day.<\/a><\/p>\n\n\n\n

\/\/\/ Press release<\/strong><\/p>\n\n\n\n

The Arnaud Lefebvre Gallery is very pleased to present Hessie \u201cLes Trous\u201d (\u201cThe Holes\u201d).<\/p>\n\n\n\n

This exhibition focuses on a specific series in Hessie\u2019s embroidery, made around the mid-seventies.
\nThe set of pieces is based on perforations in cotton cloth, around which Hessie embroidered with threads of various colors.
\nHessie used this negative embroidery to draw letters or geometrical shapes such as grids, circles or bars.
\nThe design of letters are large and single V\u2019s, W\u2019s and X\u2019s.<\/p>\n\n\n\n

The series of \u201cLes Trous\u201d is perhaps the only one where her work conveys a directly explicit message, such as \u201cOui\/Non, le droit de vote de la femme<\/a>\u201d (\u201cYes\/No, the Right to Vote for Women\u201d,) March 1975.<\/p>\n\n\n\n

We also think of darning, here, diverted, so as not to be completed. The hole as an escape route, as an underground sabotage\u2026 the mouth sewn, but which remains open with discretion. The female sexual organ comes for me to complement this field, but not sure that it should dominate it<\/em>.\u2014Malcolm Djuric.<\/p>\n\n\n\n

On this occasion, four important Hole pieces by Hessie were restored, which will be included in the inventory of her work.<\/p>\n\n\n\n

In resonance with the exhibition \u201cLes Trous\u201d, and in relation to Hessie’s feminist concern, a performance of the play written by Eve Ensler, \u201cThe Vagina Monologues\u201d<\/a>, was scheduled at the gallery on Friday, February 14 at 7 pm.
This event is part of the V-Day celebration<\/a>.<\/p>\n\n\n\n

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Photos B\u00e9atrice Hatala<\/p>\n\n\n\n

\/\/ Liste des \u0153uvres expos\u00e9es<\/strong><\/p>\n\n\n\n

Trous (4 \u00ab\u00a0V\u00a0\u00bb) (No.Inv.108)<\/a>, <\/strong>circa 1973
Broderie de fil rose sur perforations sur tissu de coton, 61,5 x 154 cm.<\/p>\n\n\n\n

Trous (V et grille) (No.Inv.113)<\/a>, <\/strong>circa 1973
Broderie de fils rose (V) et bleu (grille) sur perforations sur tissu de coton,
155,5 x 109 cm.<\/p>\n\n\n\n

Trous (grille) (No.Inv.102)<\/a>, <\/strong>1976
Broderie de fil vert sur perforations sur tissu de coton, 195 x 24 cm.<\/p>\n\n\n\n

Trous (\u00ab\u00a0V\u00a0\u00bb) (No.Inv.115)<\/a>, <\/strong>circa 1973
<\/strong>Broderie de fil rose p\u00e2le sur perforations sur tissu de coton, 161 x 83,5 cm.<\/p>\n\n\n\n

Trous W<\/a><\/em> (No.Inv.035)<\/a>, <\/strong>1973-1975
<\/strong>Broderie de fil gris sur perforations sur tissu de coton, 165 x 144 cm.<\/p>\n\n\n\n

Trous <\/a><\/em>X (No.Inv.032)<\/a>, <\/strong>1973
<\/strong>Broderie de fil rose sur perforations sur tissu de coton, 191 x 91 cm.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\/\/\/ Communiqu\u00e9 de presse La galerie Arnaud Lefebvre est tr\u00e8s heureuse de pr\u00e9senter l\u2019exposition de Hessie Les Trous. Appartenant \u00e0 la broderie de Hessie, la s\u00e9rie des Trous date du milieu des ann\u00e9es 70. Cet ensemble de pi\u00e8ces est form\u00e9 de perforations dans le tissu de coton, autour desquelles Hessie a brod\u00e9 avec des fils […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-6719","post","type-post","status-publish","format-standard","hentry","category-expositions-personnelles"],"_links":{"self":[{"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/posts\/6719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/comments?post=6719"}],"version-history":[{"count":36,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/posts\/6719\/revisions"}],"predecessor-version":[{"id":7541,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/posts\/6719\/revisions\/7541"}],"wp:attachment":[{"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/media?parent=6719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/categories?post=6719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galeriearnaudlefebvrearchives.com\/hessie\/wp-json\/wp\/v2\/tags?post=6719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}